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Of Apes and Yahoos

Instinct Produced by Spyglass Entertainment and Touchstone Pictures Directed by Jon Turteltaub Screenplay by Gerald Di Pego and Daniel Quinn Released by Buena Vista Pictures Pushing Tin Produced by Art Linson Productions, 3 Miles Apart Productions Ltd., et al. Directed by Mike Newell Screenplay by Darcy Frey and Glen Charles Released by 20th Century Fox...

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Resurrecting The Third Man

The Third Man Produced by Alexander Korda and David O. Selznick Directed by Carol Reed Screenplay by Graham Greene Released by London Films Re-released by Rialto Pictures Forget the Dark Side. Darth Sidious? No more convincing than Bela Lugosi flitting about an Abbott and Costello travesty. For the real thing, you’ll have to visit your...

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Reel Crimes, True Illusions

True Crime Produced by Malpaso Productions Directed by Clint Eastwood Screenplay by Andrew Klavan and Larry Gross Released by Warner Bros. The Matrix Produced by Groucho II Film Partnership and Silver Pictures Directed by Andy Wachowski and Larry Wachowski Screenplay by Andy Wachowski and Larry Wachowski Released by Warner Bros. Clint Eastwood’s True Crime lives...

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Under, Over, and Worlds Apart

Eight Millimeter Produced by Columbia Pictures and Hofflund/Polone Directed by Joel Schumacher Screenplay by Andrew Kevin Walker Released by Columbia Pictures October Sky Produced by Charles Gordon and Larry Franco Directed by Joe Johnston Screenplay by Lewis Colick and Homer Hicham Released by Universal Pictures Analyze This Produced by Tribeca Productions Directed by Harold Ramis...

Filling a God-size Hole
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Filling a God-size Hole

During a BBC interview in 1984, Martin Amis (son of Kingsley) casually mentioned that he wished he could believe in God. “Do you really mean that?” his chat host asked, tossing his well-coifed locks in a show of secular amazement. With a sigh. Amis explained himself Without belief, what was there after all? One day’s...

In Our Own Image
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In Our Own Image

Reading Charlotte Allen’s study, The Human Christ: The Search for the Historical Jesus, I was reminded of King of Kings, the Technicolor treatment of the New Testament I saw with some friends when it opened in 1961. On screen, Jesus turned out to be blue-eyed, square-jawed, and indisputably Californian. This was worth a smile. But...